Here is the drawing:
I roughly reversed the drawing on tracing paper because I wanted it to be the right way around on the prints. I carved it into a pine board and tried to pay attention to the various directional repetitions in the drawing and vary them in sections. I thought a strength of the drawing was that it divided up well into segments that locked together.
The prints came out fairly quickly. Some came out crisp, some came out thin, some came out bloody, and depending on the sequential colors, some came out either vibrating or piling up on top of each other. The variations and combinations was quite exciting to make.
Below is the set of twelve prints.I used acrylic paint to make them. The last four I made over an abstract ink drawing which I divided up into four pieces and printed on. I thought of the other three as I was printing each one in particular and tried to make them relate.




































